Schedule
FRIDAY, MARCH 15
11:45–12:30	Registration THE ARTIST’S PALATE
12:30–  1:30	Short Paper Session Dmitri Tymoczko, Princeton University, Chair PRESSER HALL 140
I: Chorale (Bach)   12:30 How Melody Engenders Cadence in the Chorales of J. S. Bach: A Corpus Study Trevor de Clercq, Ithaca College       12:45 There are 13 (and also 3) Functions in the Bach Chorales Christopher White and Ian Quinn, Yale University       II. Chorus (Rock)     1:00 Rhythmic and Timbral Associations in Sufjan Stevens’s “Come On, Feel the Illinoise!” Megan Lavengood, CUNY Graduate Center         1:15 The Chorus as Telos in Rock Songs With Prechorus Drew Nobile, CUNY Graduate Center
1:30– 1:45	Break; Registration THE ARTIST’S PALATE
1:45– 2:00	Welcoming Remarks PRESSER HALL 140
2:00– 4:00	Long Paper Session: In Memoriam Steven Strunk I Henry Martin, Rutgers University, Newark, Chair PRESSER HALL 140
2:00 Jazz Harmony, Transformations, and ii-V Space Michael Mcclimon, Indiana University         2:30 Chord-Scale Networks in the Music of Wayne Shorter Garrett Michaelsen, University of Massachusetts, Lowell         3:00 Reflection on Strunk’s Tonnetz Joon Park, University of Oregon         3:30 Metrically Dissonant Layers of Swing: Double Time in Two of Louis Armstrong’s Performances of “Lazy River” Matthew J. Voglewede, University of Oregon
4:00– 4:15	Break THE ARTIST’S PALATE
4:15– 6:00	Workshop: Scott Burnham (Princeton University), Writing about Music PRESSER HALL 140
7:00	Banquet Las Cazuelas Restaurant, 426 W Girard Ave., Philadelphia, PA (215) 351-9144
SATURDAY, MARCH 16
8:00–  8:55	Executive Board Meeting
9:00–10:00	Short Paper Session: Frameworks for Listening Vincent Benitez, Pennsylvania State University, Chair TUTTLEMAN HALL 107
9:00 Thoroughly Nested Sentences and Formal Perception in Two of Scriabin’s Early Preludes Keith Salley, Shenandoah Conservatory         9:15 Electric Evolutionary Fairytales: Binary State GIS, Mendelian Genetic Metaphor, and Boolean Symbolism for Schoenberg, Schumann, and Others Joshua Mailman, University of California, Santa Barbara         9:30 Mahler's Contrapuntal Practice: Form and Voice Leading in the Adagietto Andrew Nicolette, Louisiana State University         9:45 Symphonic Hearing: Listening as Active Participation Daniel Stevens, University of Delaware
10:00–10:15	Break; Registration TUTTLEMAN HALL 107
10:15–11:15	Long Paper Session: Speech and Motion, Rhythm and Meter Christopher Doll, Rutgers University, Chair TUTTLEMAN HALL 107
10:15 Groove, Variety, and Disjuncture in the Rap of Antwan André Patton (aka Big Boi) Mitchell Ohriner, Shenandoah Conservatory       10:45 Analyzing Music and Dance: Tchaikovsky and Balanchine Kara Yoo Leaman, Yale University     11:15–12:15 Short Paper Session: In Memoriam Steven Strunk II Cynthia Folio, Temple University, Chair TUTTLEMAN HALL 107       11:15 A Study of Bill Evans’ “Displacement”: Intentional Schenkerian, PC-Set, and Serial Principles Yung-Ching Yu, University of Kentucky       11:30 Syncretism in David Baker’s Piano Compositions Vasil Cvetkov, Southeastern Louisiana University       11:45 Microtime in Jazz Drumming: The Beat-Upbeat Ratios of Philly Joe Jones Dustin Mallory, Rutgers University        12:00 Harmonic Idioms in the Piano Music of Scott Joplin Yosef Goldenberg, Jerusalem Academy of Music and Dance and The Hebrew University of Jerusalem
12:15– 1:30	Lunch and Business Meeting THE ARTIST’S PALATE
1:30– 2:30	Keynote: Scott Burnham (Princeton University),“Beethoven and Schubert in 1826: String Quartets and the ‘Movement of Phenomena.’” PRESSER HALL 140
2:30– 2:45	Break THE ARTIST’S PALATE
2:45–4:15	Long Paper Session: Conceptualizing Harmonic Space, Distance, and Transformation Rachel Hall, St. Joseph’s University, Chair PRESSER HALL 140
2:45 Schubert’s Harmonic Language and the Tonnetz as a Continuous Geometry Jason Yust, Boston University       3:15 “A Flight into the Exotic Distance”: Harmony and Voice Leading in the Act IV Duet from Bizet’s Carmen Andrew Pau, Oberlin College        3:45 Scriabin’s Harmonious Unity: Unity through Transposition in Alexander Scriabin’s Op. 69, No. 2 Jeff Yunek, Louisiana State University
4:15–5:15	Long Paper Session: Revision and Response Philip Duker, University of Delaware, Chair PRESSER HALL 140
4:15 Leonhard Euler’s Tentamen novae theoriae musicae and the Inheritance of 17th Century Philosophy Zachary Bernstein, CUNY Graduate Center       4:45 The Ursatz and Liszt’s Revisions Michael Vitalino, University of California, Santa Barbara

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