Kip Wile, MTSMA President
Peabody Conservatory of the Johns Hopkins University
Musical Form and Dramatic Implication in the Fricka's Scene in Die Walküre, Act 2
Ji Yeon Lee, University of Houston
The Dramatic Potential of Auxiliary Cadences in Cole Porter Songs with Minor-to-Major Choruses*
Morgan Markel, Eastman School of Music
Tonic and Topic: A Study of Key Selection in American Hymnody
Jennifer Shafer, University of Delaware
A Taxonomy of Musical Transcription as Translation*
Eron Smith, Eastman School of Music
Collection Space: Systematizing Parsimonious Trnasformations in French Scalar Tonality*
Matthew Kiple, Temple University
Measuring Time in Morton Feldman's Late Music
Jeremy Tatar, McGill University
The Sound of Starlight in George Crumb's "Music of the Starry Night"*
Rachel Hottle, McGill University
Spectral Fission in Barbershop Harmony*
Jordan Lenchitz, Florida State University
Formal Fusion in Robert Schumann's Sonata Forms*
Matthew Poon, University of Toronto
Beyond "Becoming": Progressive and Retrogressive Thematic Metamorphosis in Fanny Hensel's Piano Sontatas*
Tyler Osborne, University of Oregon
The Sonata-Fugue Hybrid in Haydn's Early Symphonies*
Carl Burdick, University of Cincinnati
Listening to a Gradual Process: Gesture in Steve Reich's Melodica and its Signification*
Martin Ross, Western University
Putting the Math in Math Rock*
Matthew Chiu, Eastman School of Music
Phenomenal Accents, Meter, and the Vocal Backbeat in Country Music from 2000 - 2019*
Kristi Hardman, The Graduate Center, City University of New York
Don't Count Your Cadences Before They Hatch: Advocating for Discussions of Closure in Pedagogical Contexts
Brian Edward Jarvis, University of Texas at El Paso
John Peterson, James Madison University
The Perceptual Attraction of Pre-Dominant Chords
Jenine Brown, Peabody Conservatory of The Johns Hopkins University
Daphne Tan, University of Toronto
Saving Figured Bass: Pedagogical Functions, Scaffolding, and Analytical Representations
Philip Duker, University of Delaware
On Music Theory, the 'Classical' Guitar, and Indigenous Music: Hidden Avenues for Diversifying Our Core Repertoire
Keith Salley, Shenandoah Conservatory — Shenandoah University
* denotes eligibility for the Dorothy Payne Award for Best Student Paper
Tonic and Topic: A Study of Key Selection in American Hymnody
Jennifer Shafer, University of Delaware
A Taxonomy of Musical Transcription as Translation*
Eron Smith, Eastman School of Music
Measuring Time in Morton Feldman's Late Music
Jeremy Tatar, McGill University
Spectral Fission in Barbershop Harmony*
Jordan Lenchitz, Florida State University
Listening to a Gradual Process: Gesture in Steve Reich's Melodica and its Signification*
Martin Ross, Western University
Putting the Math in Math Rock*
Matthew Chiu, Eastman School of Music
Phenomenal Accents, Meter, and the Vocal Backbeat in Country Music from 2000 - 2019*
Kristi Hardman, The Graduate Center, City University of New York
Saving Figured Bass: Pedagogical Functions, Scaffolding, and Analytical Representations
Philip Duker, University of Delaware
On Music Theory, the 'Classical' Guitar, and Indigenous Music: Hidden Avenues for Diversifying Our Core Repertoire
Keith Salley, Shenandoah Conservatory — Shenandoah University
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