Schedule
FRIDAY, April 8 Cafe 58 (Irvine Auditorium) 3401 Spruce Street (corner of Spruce and 34th)
11:00–12:00	Registration
12:00–12:15	Welcoming Remarks
12:15–  1:30	Short Paper Session 1 Chair: Naomi Waltham-Smith, University of Pennsylvania
12:15 What Can Music Identification from Harmonic Reductions Tell Us about Chord Progressions? Ivan Jimenez, University of Pittsburgh; & Tuire Kuusi, Sibelius Academy       12:30 “Canto Gregoriano”: Paul Creston’s Adaptation of Plainchant as Topic Dylan Principi, Temple University       12:45 “For Signs and for Seasons and for Days and Years”: Hierarchies of Musical and Textual Rhythm in Steve Reich’s Tehillim Martha Sullivan, Rutgers University         1:00 Schenker’s Elucidations on Unfolding Compound Voices from Der Tonwille 6 (1923) to Der freie Satz (1935) Rodney Garrison, SUNY Fredonia         1:15 Trans-cultural-stylstic solutions of Toshi Ichiyanagi’s Transfiguration of the Moon (1988), for shô and violin Joshua Mailman, University of Alabama
1:30– 1:45	Break/Registration
1:45– 3:15	Long Paper Session 1: Twentieth Century Music Chair: Cynthia Folio, Temple University
1:45 Between Sign and Convention: On the Phenomenology of Modernist Musical Topics Aaron Harcus, The Graduate Center, CUNY         2:15 The Twentieth-Century Origins of the Feature Motive Brent Auerbach, University of Massachusetts Amherst         2:45 Dallapiccola and Musical Time: Nonlinear Narrative and Mixed Temporalities in Canti di Liberazione Sabrina Clarke, Temple University
3:15– 3:30	Break/Registration
3:30– 5:30	Professional Development Workshop (open to all registrants): “Transformational Analysis and ‘Hearing As.’" Steven Rings, University of Chicago
5:30– 6:00	Reception
6:30	Banquet (NEW LOCATION) The Farmacy 4443 Spruce St Philadelphia, PA 267-432-1082
SATURDAY, April 9 Rose Recital Hall Rm 419 in Fisher Bennett Hall (4th floor, right out of the elevator) 3340 Walnut Street (corner of Walnut and 34th)
8:15–  9:15	Executive Board Meeting
9:30–11:00	Long Paper Session 2: Popular Music and Jazz Chair: Jairo Moreno, University of Pennsylvania
9:30 Harmonic Function in Rock: A Scale-Degree Approach Mark Richards, Florida State University       10:00 Invariant Properties of Harmonic Substitutions in Jazz Keith Salley, Shenandoah University       10:30 Can You Hear Me Now? : Audio Branding and the Sonic Logo Alex Newton, The University of Texas at Austin
11:00–11:15	Break/Registration
11:15–12:30	Short Paper Session 2 Chair: Robert A. Baker, Catholic University
11:15 On the Implied Narrative in Schumann’s Op. 35 Liederreihe Alexander Martin, The Graduate Center, CUNY       11:30 Canons in Hypermetrical Transitions in Mozart Ellen Bakulina, Yale University       11:45 Topic Theory and Popular Music: Nostalgia and Sentimentality Sean Davis, Temple University       12:00 Humorous Incongruities in Haydn’s Symphony No. 60 “Il distratto”- Excess and Opposition James Palmer, University of British Columbia       12:15 The “Sweet Thing” Scheme in American Vernacular Music Nicholas Stoia, Duke University
12:30– 1:45	Lunch and Business Meeting
1:45– 2:45	Keynote Address: “No Success Like Failure: Vocal Schemata and Bob Dylan’s Late Style.” Steven Rings, University of Chicago
2:45– 3:00	Break
3:00–4:00	Long Paper Session 3: Twentieth Century Music II Chair: Edward Latham, Temple University
3:00 Framing the Argument: The Architecture of Britten’s Serenade for Tenor, Horn, & Strings Gordon Sly, Michigan State University       3:30 Winner of the Dorothy Payne Award for Best Student Paper Timbre, Harmony, Orchestration, and Analysis, and Rautavaara’s Symphony no. 8 “The Journey” Joshua Mills, Florida State University
4:00–5:00	Long Paper Session 4: Eighteenth and Nineteenth Century Music Chair: Anna Stephan-Robinson, West Liberty University
4:00 The Four-Key Exposition? Schubert’s Sonata Forms, the Fantasia, and Questions of Formal Coherence René Rusch, University of Michigan       4:30 Winner of the Dorothy Payne Award for Best Student Paper The Volta: A Galant Gesture of Culmination Nathaniel Mitchell, Princeton University

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