Schedule |
|
FRIDAY, MARCH 26 |
| |
| Penn Stater Conference Center Hotel |
| |
|
| 12:00–1:00 |
REGISTRATION (Conference Room 108) |
| |
|
| 1:00–2:00 |
Cadential Successes and Failures (Conference Room 108)
Eric McKee, Penn State University, Chair |
| |
|
|
| |
1:00–1:30 |
Winner of the Dorothy Payne Award for Best Student Paper
Improvisational Memory, Formula, and the Pedagogy of Extemporized Binary-Form Dance Movements
Michael Callahan, Eastman School of Music |
| |
|
|
| |
1:30–2:00 |
The Consequences of Cadential Failure and Virtuosic Rhetoric in Liszt’s B-Minor Sonata
Kale Good, Boyer College of Music and Dance, Temple University |
| |
|
|
|
| 2:00–2:15 |
BREAK |
| |
|
| 2:15–3:45 |
Mathematical Music Theory (Conference Room 108)
Richard Randall, Carnegie Mellon University, Chair |
| |
|
|
| |
2:15–2:45 |
The Anomalous PPVLs: A Transformational Oversight
Peter Leibensperger, CUNY Graduate Center |
| |
|
|
| |
2:45–3:15 |
Contour Vector Space
Rob Schultz, University of Massachusetts Amherst |
| |
|
|
| |
3:15–3:45 |
Scalar Transposition, Fractional Pitch-Classes, and Harmonic Sequences
Jason Yust, University of Alabama |
| |
|
|
|
| 3:45–4:00 |
BREAK |
| |
|
| 4:00–5:00 |
Studies in Meter (Conference Room 108)
Daniel Zimmerman, University of Maryland, Chair |
| |
|
|
| |
4:00–4:30 |
Dueling Dissonances: The Quest for Tonal and Rhythmic Resolution in the First Movement of Robert Schumann’s Piano Sonata no. 2, op. 22
Samantha Inman, Eastman School of Music |
| |
|
|
| |
4:30–5:00 |
Tenuto Ostinato? Listening Strategies for Ligeti’s Fanfares
Philip Duker, University of Delaware |
| |
|
|
|
| 5:15 |
RECEPTION (Deans Hall Lobby) |
| |
|
| 6:00 |
MTSMA BANQUET (Deans Hall) |
| |
|
| |
| SATURDAY, MARCH 27 |
| |
|
| Penn State University |
| |
|
| 8:00– 9:00 |
EXECUTIVE BOARD MEETING (112 Borland Hall) |
| |
|
| 9:00–10:30 |
Composers at Work After 1945 (112 Borland Hall)
Taylor Greer, Penn State University, Chair |
| |
|
|
| |
9:00– 9:30 |
The Hidden Serial Structures of Luciano Berio: Analysis, Aesthetics, and Practice
Irna Priore, University of North Carolina, Greensboro |
| |
|
|
| |
9:30–10:00 |
Shapey’s Mother Lode Worksheet as Compositional Space
Christian Carey, Westminster Choir College of Rider University |
| |
|
|
| |
10:00–10:30 |
Augmented Canons and Eternal Time in the Music of Steve Reich
Sean Atkinson, University of Texas at Arlington |
| |
|
|
|
| 10:30–10:45 |
BREAK |
| |
|
| 10:45–11:45 |
Performing Chopin (112 Borland Hall)
Eric Wen, Curtis Institute and Mannes College of Music, Chair |
| |
|
|
| |
10:45–11:15 |
Instrumental Gesture in Chopin’s Étude in A-flat op. 25 no. 1
Eugene Montague, The George Washington University |
| |
|
|
| |
11:15–11:45 |
Projected Tension in Chopin Performance
Mitch Ohriner, Indiana University |
| |
|
|
|
| 11:45–1:15 |
LUNCH; BUSINESS MEETING (Zoller Café, Visual Arts Bldg.) |
| |
|
| 1:15–2:45 |
Keynote, "Iconicity in African Musical Thought and Expression." Prof. Kofi Agawu, Princeton University (112 Borland Hall) |
| |
|
| 2:45–3:00 |
BREAK |
| |
|
| 3:00–4:00 |
Sequences in Context (112 Borland Hall)
Kip Wile, Peabody Institute, Johns Hopkins University, Chair |
| |
|
|
| |
3:00–3:30 |
Linear Fragmentation and Sequential Repetition in Rachmaninoff’s Orchestral Music
Stephen Gosden, Yale University |
| |
|
|
| |
3:30–4:00 |
Open or Closed? Poulenc’s Major-Third Cycles of Minor Triads
David Heetderks, University of Michigan |
| |
|
|
|
| 4:00–5:00 |
Analyzing Expression: Composers and Narrators (112 Borland Hall)
Edward Latham, Temple University, Chair |
| |
|
|
| |
4:00–4:30 |
Seriously Funny, or Beethoven as Humorist
Ian Wyatt Gerg, University of Texas |
| |
|
|
| |
4:30–5:00 |
Narrative Performance Analysis in Instrumental Classical Music
David Cosper, University of Virginia |
| |
|
|
|
